The human spine has an incredible ability to support, move, inform and nourish the rest of the body. It acts as the integrating factor between the upper and lower halves of the body and supports the weight of the head, limbs and organs. Protected within the spine's bony structure lies the spinal cord; a key element of the body's neural network. Around the spinal cord we find the dural tube, a conduit for the "fluid" body. To function at its best, the spine must be stable, mobile and balanced. We can choose to support the spine's best function by working it biomechanically. I think though, that by adding a little "magic" we can considerably enhance the movements of the spine, finding the inherent life and breath in this fascinating structure.
In movement training, when we look at methods for supporting and mobilizing the spine, we would do well to take this structure's many and varied roles into consideration. Most often, the biomechanical approach gets first view. Are the multifidi and other local stabilizer muscles being recruited well and consistently enough to stabilize individual vertebral segments in relation to load and range of motion? Are the spinal curves balanced? Can the spine articulate segmentally? Can it work as an integrated unit? In a clinical or traditional fitness setting, what I see most often are strategies either to "hold" the spine in a stable position or to articulate spinal segments individually . In my mind, this translates to a relatively passive role for the spine; with the action of the structures around it taking precedence. That's fine, as far as it goes. Can the spine have a life of its own?
Marc Boivin, a veteran modern dancer from Montreal, PQ suggests that "the spine to coccyx line can be perceived as a fifth limb (like the fifth limb of the starfish integrated within the spine and behind the bellybutton). Listening with perseverance to the dance between the head and the coccyx as an initiation for movement is also a great way to learn about our strategies of movement. We often choose to contract a part of this dynamic opposition in order to push against another body part; this then closes a part of the body and inhibits the movement from travelling totally through us." Suddenly, the spine is not just a complicated series of joints that need stabilizing and mobilizing, it is an active and independent structure that can move and be moved to enhance the quality of our movement overall!
Mr. Boivin's suggestion allows us to introduce a little magic to our biomechanical approach. In an exercise setting, one can visualize his idea in this way: with spine as a train or roller coaster on a track. With the spine in a neutral position, visualize the moment where the cars on the train begin to move. As the lead car on the train begins to move along its track, the following cars on the train (individual vertebrae) engage lightly with each other . The spine becomes an active, integrated unit. Experiment with the different feeling of initiating the movement of the spine from either the engine (head) or the caboose (tail). Feel how the vertebrae in between can be drawn into the action. I have found that quite often, as one taps into this sensation, the inner unit core musculature is activated spontaneously.
For those with an interest proceeding further, we can begin to play with our magic on a much deeper level. By virtue of its role in the fluid body and nervous system, the spine has internal tides and breath that deserve to be respected and nourished as much as the muscular systems that often receive the bulk of our attention. There are treatments and therapies that will address these living, breathing tides (like craniosacral therapy) - but is there a way to tap into these through movement as well? Absolutely.
Continuum movement is a prime example. Developed by Emilie Conrad, the movements in Continuum "are designed to enhance the undulating spirals and circularity of the fluid system. A full range of non-patterned movement, from dynamic full-bodied expression to subtle micro-movements, stimulates neurological growth and vibrancy. Undulating wave motion permeates tissue, softens boundaries and amplifies sensation. Wave motion is the primary access to our bio-intelligence that is not bound by time, space or condition. "
Body-Mind Centering (BMC), created by Bonnie Bainbridge-Cohen offers a whole different approach, including developmental movement patterning. BMC "is an experiential study based on the embodiment and application of anatomical, physiological, psychophysical and developmental principles, utilizing movement, touch, voice and mind." By experiencing one's own movement patterns, one can begin to see where there are possibilities for moving in a fuller, more open range.
Beginning to explore the movements of the spine beyond what is merely "functional'' opens up a multitude of possibilities for movement and self-discovery. The spine comes alive and infuses a new vitality to our whole bodies our lives. Explore the possibilities - a healthy, living, breathing spine can be a sublime experience!
For more information:
In movement training, when we look at methods for supporting and mobilizing the spine, we would do well to take this structure's many and varied roles into consideration. Most often, the biomechanical approach gets first view. Are the multifidi and other local stabilizer muscles being recruited well and consistently enough to stabilize individual vertebral segments in relation to load and range of motion? Are the spinal curves balanced? Can the spine articulate segmentally? Can it work as an integrated unit? In a clinical or traditional fitness setting, what I see most often are strategies either to "hold" the spine in a stable position or to articulate spinal segments individually . In my mind, this translates to a relatively passive role for the spine; with the action of the structures around it taking precedence. That's fine, as far as it goes. Can the spine have a life of its own?
Marc Boivin, a veteran modern dancer from Montreal, PQ suggests that "the spine to coccyx line can be perceived as a fifth limb (like the fifth limb of the starfish integrated within the spine and behind the bellybutton). Listening with perseverance to the dance between the head and the coccyx as an initiation for movement is also a great way to learn about our strategies of movement. We often choose to contract a part of this dynamic opposition in order to push against another body part; this then closes a part of the body and inhibits the movement from travelling totally through us." Suddenly, the spine is not just a complicated series of joints that need stabilizing and mobilizing, it is an active and independent structure that can move and be moved to enhance the quality of our movement overall!
Mr. Boivin's suggestion allows us to introduce a little magic to our biomechanical approach. In an exercise setting, one can visualize his idea in this way: with spine as a train or roller coaster on a track. With the spine in a neutral position, visualize the moment where the cars on the train begin to move. As the lead car on the train begins to move along its track, the following cars on the train (individual vertebrae) engage lightly with each other . The spine becomes an active, integrated unit. Experiment with the different feeling of initiating the movement of the spine from either the engine (head) or the caboose (tail). Feel how the vertebrae in between can be drawn into the action. I have found that quite often, as one taps into this sensation, the inner unit core musculature is activated spontaneously.
What happens in spinal flexion or extension? Imagine the cars on the train moving along a roller coaster track. The cars on the train must stay on their track, following the lead car (coccyx or head) as it moves into space. As the spine moves into flexion/extension by initiation from the head, the tail and all the vertebrae in between are drawn immediately into that action. The vertebrae will move along the identical track that the head has set - only sliding into flexion/extension when it becomes an anatomical necessity for that to happen. The result is a long spine, suppported at every level as it moves into flexion or extension. You will probably notice that the core musculature works more efficiently with this focus as well.
For those with an interest proceeding further, we can begin to play with our magic on a much deeper level. By virtue of its role in the fluid body and nervous system, the spine has internal tides and breath that deserve to be respected and nourished as much as the muscular systems that often receive the bulk of our attention. There are treatments and therapies that will address these living, breathing tides (like craniosacral therapy) - but is there a way to tap into these through movement as well? Absolutely.
Continuum movement is a prime example. Developed by Emilie Conrad, the movements in Continuum "are designed to enhance the undulating spirals and circularity of the fluid system. A full range of non-patterned movement, from dynamic full-bodied expression to subtle micro-movements, stimulates neurological growth and vibrancy. Undulating wave motion permeates tissue, softens boundaries and amplifies sensation. Wave motion is the primary access to our bio-intelligence that is not bound by time, space or condition. "
Body-Mind Centering (BMC), created by Bonnie Bainbridge-Cohen offers a whole different approach, including developmental movement patterning. BMC "is an experiential study based on the embodiment and application of anatomical, physiological, psychophysical and developmental principles, utilizing movement, touch, voice and mind." By experiencing one's own movement patterns, one can begin to see where there are possibilities for moving in a fuller, more open range.
Contact improvisation, a dance form that began in the 1970's offers an opportunity to explore the flow of movement in an organic and fluid way - playing with weight, flow, fall & recovery, contact, connection and sensory listening. It is playful and contemplative, furiously athletic and still. The movement of the spine and pelvis is central to this work.
Beginning to explore the movements of the spine beyond what is merely "functional'' opens up a multitude of possibilities for movement and self-discovery. The spine comes alive and infuses a new vitality to our whole bodies our lives. Explore the possibilities - a healthy, living, breathing spine can be a sublime experience!
For more information:
Continuum Movement: http://www.continuummovement.com/
Body-Mind Centering: http://www.bodymindcentering.com/
Contact Improvisation: http://www.edamdance.org/